【正版全新】 中国舞台上的塞缪尔·贝克特:跨文化戏剧演出研究:1964-2011:a study of intercultural performances:1964-2011 施清婧著 南开大学出版 chm umd 阿里云 下载 夸克云 pdf azw3 kindle

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Textual Notes

Abbreviations

Prologue

Chapter One Introduction

1.1 Literature Review oflnternational Beckett Criticism

1.2 Literature Review of Chinese Beckett Criticism

Chapter Two Theorizing Chinese Beckett Performance

2.1 Boundary Crossing： Beckett as Cultural Translation

2.2 "Other" Becketts in Intercultural Theater

2.3 Acting Beckett from the Marginal

Chapter Three Political Beckett： First Trials

3.1 Icebreaker： Gao Xingjian and Chezhan

3.2 Meng Jinghui： Angry Young Men Waiting for Godot

3.3 The Premature Godot： Premiere of Theater Quarterly

Chapter Four Beckett as Postmodern Laboratory

4.1 The Waiting ofThree Sisters： A Chan Collage

4.2 "Mo lei tau" Beckett： What if Godot Comes？

4.3 Moveable Feast： Beckett in Ancient Chinese Gardens

Chapter Five Gendered Beckett in Consumerism Culture

5.1 Only Bored Women Waiting for Godot？

5.2 "Hard Man" and Woman Godot

5.3 Minnan Endgame： Gendered Consumption

Chapter Six Co—produced Beckett： Negotiating "Authority"

6.1 "Beckett Workshop" as Empowering Site

6.2 Western Experience： Enlightenment or Domination in Disguise

Chapter Seven Can the Indigenous Act Back？

7.1 Performing Beckett， Reforming Jingju

7.2 Beckett Danced on Chinese Stage

7.3 Dialogue with the Masters

Conclusion

Works Cited

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