焦点In Focus chm umd 阿里云 下载 夸克云 pdf azw3 kindle

The prickly political implications of portrait photography are perhaps at their most evident in this hefty(seven pounds)and gorgeously glossy compilation of work by National Geographic photographers.As the frank essays by such photographers as Sam Abell,Jodie Jobb and William Albert Allard beginning each chapter reveal,behind the unthreatening National Geographic cameras lenses,often less-than-admirable mechanisms were at work.Stuart Franklin writes of the editorial pressure on photographers to provide "pictures of pretty girls" to the point where "hundreds of bare-breasted women,all from poorer countries,were published at a time of booming sub*ion rates." Editor Bendavid-Val writes of National Geographic's propensity for avoiding controversial issues at home in the United States; turmoil has been less thorny to document in faraway places."The emotional distance was easy to maintain in an age when communication was cumbersome and long-distance travel was uncommon." Still,a photograph of thieves' severed heads on a billboard in China,or even the photograph "Afghan Girl," published in 1985 and arguably National Geographic's most well-known photograph,pierce through this self-imposed emotional shield.Beyond the isolationism and voyeurism is something oddly moving about this collection of 280-plus portraits: it forms a giant mosaic of American identity,a self-portrait composed of how we look at others.

1 Foreword

2 National Geographic Portraits

3 Before 1930 The Strange and the Exotic

4 1930s-1940s Away from Depression and War

5 1970s-1980s Back to Realism

6 1990s-Present Photography and Ambiguity

暂无相关内容，正在全力查找中

暂无出版社相关信息，正在全力查找中！

暂无相关书籍摘录，正在全力查找中！

在线阅读地址：焦点In Focus在线阅读

在线听书地址：焦点In Focus在线收听

在线购买地址：焦点In Focus在线购买

暂无原文赏析，正在全力查找中！

书摘插图